EXCLUSIVE: IN CONVERSATION WITH GAUTENG FILM COMMISSION CEO KEITUMETSE LEBAKA

The Callsheet sat down with Gauteng Film Commission CEO Keitumetse “Tumi” Lebaka to discuss industry development, attracting investment, empowering local filmmakers, and the Commission’s vision for positioning Gauteng as Africa’s leading film destination.  Since being...

SOUTH AFRICA DOCUMENTARY OUT OF MINED WINS CANNES FILM AWARD

South African documentary Out of Mined, directed by Arthur Neumeier and produced by Eyeforce, has won a Cannes Film Award. Positioned at the intersection of activism, cinematic art, and journalism, the film traces the impacts from a deluge of mining along 450 km of...

NFVF AUDIENCE REPORT FINDS MISALIGNMENT, NOT LACK OF INTEREST

The National Film and Video Foundation (NFVF) has released new audience research showing that South Africans remain highly engaged with audiovisual content, but structural barriers – not a lack of audience interest – are limiting the growth of the country’s film and...

NFVF COVID-19 relief fund

The NFVF has initiated a relief fund aimed to support and assist independent freelance practitioners, technical and production crew in the film and television industry who have been affected and infected by the COVID-19 pandemic.

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The Gauteng Film Commission on Women’s Month

The Gauteng Film Commission (GFC) today launches the month-long Women’s month 2020 programme. The programme will mostly showcase the work and efforts of women in the film and television sector in Gauteng, using virtual platforms across popular social media channels from the 10th till the 31st of August 2020.

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Challenging budding filmmakers to make movies

The 48 Hour Film Project is an international competition challenging budding filmmakers to make movies, from script to screen, in a mere 48 hours, then giving them an opportunity to showcase their film premier on local screens and an international stage, with the winning film getting a chance to win a spot for their film to be screened at the Cannes Short Film Corner.

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